Find A Formula For 1 2 3 2 5 2 The Clock and the Circle

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The Clock and the Circle

Here is a very attractive code. I call it “Clock and Circle”, where “Circle” is assumed, then, to be, Pi. In order for this code to be properly effective, you must be working with the correct “substrate”, meaning a relative “representation” of the design.

Let’s break down the number of times.

A day is divided into 24 hours. It is the letter X. A 24 hour day is divided into 12 hour halves, roughly equal to “night” and “day”. X can be split in half as shown in The Da Vinci Code by Dan Brown. If you don’t want to accept Dan Brown’s rendition of the X, which included the inverted “V” as male and the “V” as female, then consider a scan of the Masonic piece “Starshift: 1948” released in 1948. Which can be found on the archived blog “Illuminatus Observer” under the same title as this article.

It is not our position to assign “arbitrary values” to anything, for we believe that the design of the alphabet is the key, and a rational and logical analysis of this key reveals the construct in a precise and predictable fashion. In the case of the “V’s” having a “value” of “6”, it is well established by the Isisian Codes, as shown here that the V is located in the number 6.

6 Apart from the labials F and V in column position, most phonetics of the word FIVE (FV) are also located in number 6. This basic truth is critical to understanding the entire Illuminatus system:


So the V as the feminine “5” is added to reveal the 15th letter from the 1 to the O, which is the feminine “egg”, “o-different”, “o-pen-is”, etc. Five is 6.

Six as A, the secret of the Serpent Master Key

Here is another key to the Illuminatus system, and indeed there are many “keys”, but they are very different from “keys”. Note that the KEY word contains 2/3 of the EYE word. You need to have the “keys” before you can really “see”. This “key” is important.

Master number is 11011. It is formed from the rhyming pattern of A, J, and K, with A placed at 1, J placed at 10, and K placed at 11. I recommend you write these down. As you go. Each of these numbers are “ordinal values”, or their regular place in the alphabet.

Now back to Genesis, Pi (3:14):The Lord God said to the serpent, “Because you have done this, you are cursed above all cattle and wild animals, you shall go into your belly, and you shall eat dust all the days of your life.

This means that when you have “1’s” shown, or “6’s”, it is often necessary to consider the possibility that they could be either “1’s” if 6’s, or 6’s if 1’s. The reason for this is again in the sum table of letters.

When you have AJK, it has a declared value of 1,10,11, as a process of ordinal letter placement. Set them up as a single unit as 11011, “go to the belly of the snake”, aka, “eyes of the snake” when playing “craps”, and you will reach 6 in the belly, or what is resting on the table. “Bullshit Table”.

That “1’s = 6’s” from the “kabbalistic” meaning can easily be deduced by studying the Kabbalah practiced by the Setian-centered forces, which is the work of Rabbi Ginsberg at This site has an article that tries to deal with “Kabbalah and String Theory”,

“The full spelling of the letter yud is: yud (10), vav (6), dalet (4). The two additional letters, vav (6) and dalet (4) are themselves equivalent to the original yud (10). Thus the full spelling of yud can be understood as the equation: 10 = 6 plus 4. The 10 dimensions of reality are divided into two categories, one of 6 and the other of 4.

In Kabbalah, Vav (6) is considered the “male” element of reality while Dalit (4) is considered the “female” element. The “female” principle of reality is the “light” while the “male” principle is hidden within the “female”.

These are literally false conclusions as the Isisian code system readily reveals, and a topic we will deal with later after providing more basic material to aid in the certainty of the esoteric codes at play, however, this is enough. To say that Rabbi Ginsberg is (essentially) using the exact number patterns we are using relative to X (10).

“vav”, 6 is considered 1.

6 and 4 (used in the additive formula 6+4=10) are added together to arrive at 10 (X), while Continental Meson systems have values ​​of 4 V emanating from the center of X. 6 and hence 4*6=24=X letter placement. Additionally, the “summative formulas” of letter placements from 1:X are also revealed to be “in play”, i.e., C = 3 = 1+2+3 = 6 = 1 since C is the Sun, Earth alignment. , and in a perfect line to create a lunar eclipse.

“1’s” as “6’s”.

The nature of V’s needs to be understood as “6’s” and “1’s” as “6’s”. What Dan Brown didn’t reveal when he said the X’s are both male and female, that the ascending (convex) chevron (inverted V) is male and the ascending (concave) chevron (V) is female, is exactly the top or rising spot. A chevron in the form of an inverted V is precisely “masculine”.

This is so because the “man” is “Osiris” who “rises” on the horizon like the “sun”. The letter A is often referred to as the “Pyramid Letter”, “One Eyed God” etc. The number sequence shown is taken from Plato’s Timaeus,

After this he filled the double gap [i.e. between 1, 2, 4, 8] And triple [i.e. between 1, 3, 9, 27] cutting off other parts from the mixture and placing them in intervals, so that in each interval there were two means, one increased by equal parts of its extremes and exceeded—-This entire compound he divided lengthwise into two parts, which he joined together in the center like the letter X., and bend them circularly, joining them to themselves and to each other at a point opposite to their original meeting point; and, perceiving them in uniform revolutions on the same axis, he made the one an outer and the other an inner circle.the estuary

The entire philosophy regarding Pi, the letter A, and the letter H is contained in those phrases, but for now, understand that “1” is the tip of A, but it still holds the hidden base (6) ( 2*3=6=3+2 +1=C)

Hence it is a “1” while V is a “five” and 1+2+3+4+5 = V = The letter O is feminine, arriving as a product of 3^ as a child in the letter Y. 2 + 4^2 = 5^, in which the letter Y is placed at 25, thus revealing the formula.

Solution for clocks and circles

Now you have a rational basis for understanding the relationship of V and we can say that V is either “5” or “6’s”, and each has a value of 1, and that 1’s are “6’s”, we can. Now solve for “Clocks and Circles”.

Read this watch first, and the next watch.

What’s the difference? Notice how the clock on the left uses IIII to represent 4, while the clock on the right uses IV to represent IV? Which is correct? Why one or the other? Here are some observations.

Hickory Dickory Dock

Here’s a story that’s probably the “key” too. support

Hickory Dickory Duck, the mouse ran over the clock

The clock struck one, and the mouse ran downstairs

Hickory Dickory Dock

runs up to

Hickory Dickory Duck, the five mice ran to the clock

The clock struck five, and the mouse ran downstairs

Hickory Dickory Dock

Now study the two clocks. If V is 6’s and 6’s are 1’s, how many “1’s” are there in the first clock? What is the pattern?

If V is 6’s and 6’s are 1’s, how many “1’s” are there in the second clock? What is the pattern?

The key is “through 5”, or V.

Answer to clock 1

I = 1

II = 2

III = 3

III = 4

V = 1

Answer to clock 2

I = 1

II = 2

III = 3

IV = 2

V = 1

Which pattern looks more correct? This is really a basic “IQ” form of “pattern recognition testing”. Obviously, if KEY is 5, and the patterns are as follows:

Pattern 1 = 1,2,3,4,1

Pattern 2 = 1,2,3,2,1

And the song talks about “the clock running up and down”, is 1,2,3,4,1 the clock running up and down or 1,2,3,2,1 the clock running up and down?

Obviously, the latter “runs the clock up and down”, so it will be necessary to use a second clock for our analysis.

So here’s how it’s done.

I = 1 = 6

V = 1 = 6

X = 11 = 66 = (2)

Now see what happens to our “clock”.

I = 1 = 6

II = 2 = 66

III = 3 = 666

IV = 2 = 66

V = 1 = 6

VI = 2 = 66

VII = 3 = 666

VIII = 4 = 6666

IX = 3 = 666

X = 2 = 66

XI = 3 = 666

XII = 4 = 6666

How many “6’s” are there? 30 sixes.

6 times 30 = 180 degrees, or half a circle.

30 times 12 = 360 degrees, or a full circle.

So the code reveals Pi in the conceptual 180 degrees of the division of day and night, or if we allow “30” to be multiplied by 12 hours, we arrive at 360 degrees of the circle.

PS So why would IV be changed to IIII? What will this reveal? Why, 32, of course. Decimal digits of Pi, of course. I bet you’ve never seen this little simple code before.

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