Example Of A Film That Follows The Romance Formula Plot Movie Review: Fashion – Madhur Bhandarkar Gets Some Refinement

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Movie Review: Fashion – Madhur Bhandarkar Gets Some Refinement

The biggest open secret of Hindi cinema is that Madhur Bhandarkar makes the same film over and over again. He takes the same character – and reduces it to an ugly world – and just changes the settings. The only twist in the story is the microcosm he draws parallels with all the world’s problems. So be it Page 3 Party (Page 3), Traffic Signal (Traffic Signal), Political Party (Satta), Corporate World (Corporate) or Dance Bar (Chandni Bar), you can’t go wrong with Madhur. Bhandarkar film. This time Bhandarkar talks about the high life in the fashion world.

Fashion Story Summary

Meghna is as small a town as Mathur (Priyanka Chopra). This Chandigarh girl lands in Mumbai to become a model… no correction, this is a supermodel. As the current ‘show stopper’ Shonali may be the sensation of the town, there are no obstacles in her way but her addiction to drugs and alcohol and her lavish lifestyle have already started her downfall. Predictably Meghna climbs the ladder of success but not before going through her share of struggles where she has to advertise lingerie, indulge in parties for money among other things.

The ad takes her out of her family friend’s house and brings her into human love. But the higher Meghna goes, the lower she falls. His attitude turns into arrogance and takes him away from everything he holds dear. A secret affair with her polygamous boss gets her pregnant.

Meghna eventually became the very person he hated. Unable to see herself in the mirror, she returns to her family. Far from shining she is still depressed and it is only her father’s changed faith in her that gives her the confidence to start again. Once back Meghna saves Shonali, who is now homeless, by taking on her own soul. Fate brings her back to the top but not before testing her limits.

Critic’s opinion on fashion

It can be said that the ghost of Bhadarkar’s successful film ‘Chandni Baar’ can finally be put to rest. ‘Fashion’ may be the regular stuff of the director’s formula but it is a better film than some of his previous works.

Of course in-house digs abound and everyone is sarcastic, Kangana Ranaut’s character mirrors that of Geetanjali Nagpal and it’s surprisingly predictable at times but the film is well-mounted.

One complaint is that the screenplay could have been better. For example, Meghna initially hates Shonali for no real reason and her transformation into a diva-like Naomi Campbell isn’t really justified. The reason for models having a certain ‘lifestyle’ isn’t even really scratched the surface.

Bhandarkar does not explore stress or the high pressure of the glamor world as the cause of the breakdown. Instead, he is happy to make it as simple as day and night. Oh, the things to do…

Fashion: Priyanka Chopra dominates

As far as performances go, this is Priyanka Chopra’s film. He is supported by Sameer Soni, Mugdha Godse and Arbaaz Khan. Kangana Ranaut shines as the aching beauty though she could do with her diction a bit more. Kitu Gidwani is pure elegance as the high priestess of the modeling world.

‘Fasion’ sees Madhur Bhandarkar finally moving from his dozen-of-a-dozen treatments to a more sophisticated approach.

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